Photo Evidence: An Intimate Audience with Matt Berry

Matt Berry The Fox Lewisham

Matt Berry at The Fox Lewisham

Matt Berry at The Fox Lewisham

Matt Berry The Fox Crowd Shot

As always, images courtesy of Cut Out and Keep unless otherwise stated.

Posted in Photos | Tagged , , , , , | Leave a comment

twobob talks to: Matt Berry

Matt Berry at The Fox Lewisham

There’s no denying that Matt Berry, he of the magnificent moustache and Bonnie Tyler renditions in the Mighty Boosh, the sexual harassment lawsuits and silk leopard print sheets in the I.T. Crowd and the Elton John-murdering musical hangman in Snuff Box, is a many-talented chap. In addition to squillions of TV and cinema roles, he has also released four albums, plays organ, piano, synthesiser and bass, and has the ability to dampen gussets across the land using only the power of his deliciously rich caramel voice.

So imagine our excitement when we were able to wangle a show from him, at The Fox on September 25th. South East London, he says, is dear to his heart: “I’ve been living in Tower Bridge for the last five years, and I used to work in the London Dungeons” Gothed-up like a premenstrual Siouxsie Sioux, his job involved lurching out of the darkness to terrify tourists whilst making an assortment of sinister noises.

Whilst the idea being caught in tight dark corner with Matt Barry makes me wet myself with something other than fear, apparently not everyone was so enamoured. After getting walloped several times a week, he soon moved on, but he still has a lot of affection for the area: “Borough Market is where I spend most of my time, getting pissed.” He loves Tate Modern too, “although you can’t get drunk in there. Or at least, they don’t like it if you do.”

Although he’s most well known now for his TV comedy heroics, Matt started out in music. He says: “Comedy was a complete accident, and I didn’t ever think I would end up on TV. I was playing in bands, and needed money, and it seemed like acting might be a way to do that. And stand-up seemed like the most logical route into acting. So to start with it was me singing rude songs in pubs.”

Becoming involved in the Boosh was the start of a beautiful friendship between Berry and comedy loon and Snuff Box partner-in-deviancy Rich Fulcher: “We’d met before, but in the Boosh’s early days none of the cast were heavy boozers except me and Rich. We were the only ones who wanted to go drinking during the day. I wouldn’t do that now, but back then it was all new to me. So me and Rich would go and get pissed together, and it kind of came from that.”

I demand to know whether there we can expect to see a second series of Snuff Box at any time soon, and his answer is: “Hopefully, in some form or other, but not in the UK.” Its surreal, potty-mouthed characters made the BBC antsy, they were reluctant to advertise or release it on DVD, meaning its following ended up far more cult than the series deserved. But he isn’t bitter: “I’m under no illusions about how niche Snuff Box was. It was about two hangmen, so it was never going to be for everyone!” But Berry and Fulcher devotees shouldn’t despair, because there’s a comedy show in Los Angeles in the works for early next year, which will hopefully see them teaming up again.

Can’t wait that long? Matt will be serenading us at The Fox on Saturday 25th September for a measly £14.50, and you can keep an eye on his exploits by following him on Twitter too (@porksmith). His latest EP, Summer Sun, is available online as a free download, and his album Witch Hazel is being released by Acid Jazz early next year.

Get your ticket for the 25th here: http://www.wegottickets.com/event/91764

Posted in Interviews, News & Diary Dates | Tagged , , , , , | Leave a comment

What Jane’s Listening to this Week

At first glance, Standard Fare are not my usual cup of tea. Unlike my usual listening material, their wholesome, cherubic faces are completely devoid of smeared eyeliner, whiskey drool, hairdye, tattoos or glitter. Usually, this would not bode well for a girl of such dubious sleaze-rock tastes as me. But undaunted, when a link to their Myspace landed in my inbox alongside rave reviews from Artrocker and The Sunday Times, I decided to put aside my cynicism and see what all the fuss was about.

And lo and behold, I may be doing it more often, for I too soon found myself infatuated. Gloriously jangly guitars combine with heartfelt but upbeat boy/girl vocals from Danny How and Emma Kupa, and it wasn’t long before I was getting all misty-eyed and nostalgic about my misspent youth of endlessly listening to Kenickie and Belle & Sebastian on repeat. Like their audible influences, Standard Fare are all about the infectious melodies and bittersweet, sentimental smart-mouth lyrics delivered with a jaunty energy that it’s hard not to be charmed by.

Their catchy choruses will have you alternating between fond smirks of recognition and winces of empathy (“You’re only fifteen, what was I thinking?”), and anyone with a soft spot for the lyrical twists and turns of Hefner and The Long Blondes is sure to be smitten. Just don’t let their twee, wholesome appearance put you off.

Standard Fare’s debut album, The Noyelle Beat, was released at the end of March, and they’re touring the UK over the summer. Their latest single, Philadelphia, came out in July and you can watch the adorably DIY video right here:

(Originally published on luscious lady-music site The Girls Are)

Posted in Staying In | Tagged , , | 2 Comments

The Weekend That Was: Hige Club and the William Farewell Show

It has taken some time to recover from the weekend just gone. It started with an unusual Friday gig at the Curzon Cinema on Shaftesbury Avenue for a late night live performance of a Serge Gainsbourg album dedicated to his daughter Charlotte. It was performed by a veritable South London supergroup: Gavin and Mark from William alongside Markus (Their Hearts Were Full of Spring / Marketstall Records), Gemma (John and Jehn / Hindley) and the lovely Chuckie. The sound was a little off as cinemas are not designed to have bands on stage, you have to turn off all the speakers behind the screen you know, but I was very intrigued by tracks 3 (Oh Daddy Oh) and 4 (Don’t Forget To Forget Me) both of which can be found at Marketstall Records along with more info about this project. I’m looking forward to comparing this album with the original Gainsbourg one which I’m reliably informed is a lost classic. Hitting the 12bar after is where the initial damage was done, but, well, it was open unlike the rest of Soho and they do sell pints and shots and we did have the director of the ‘actual’ Gainsbourg movie with us so it would have been churlish of us not to really.

At this point I would like to thank everybody that attended the last ever William show on Saturday, especially those that came from far away (Birmingham, Coventry and Harrow were just the ones I know about). It was a very, very big party as you can imagine. Actual crowd surfing happened, I’ve never seen that in our little venue, there was a great big stage invasion and even Spiderman put in an appearance. I’m not sure there is any Sailor Jerry’s or Jagermeister left in The South of England now. The Eulogy below was written by Danny twobob. I’m reposting it here for safekeeping as it sums up how a lot of us feel:

William, It Was Really Something

Following in the lineage of the best of the 80’s/90’s indie rock scene such as Yo La Tengo, Pavement, Guided By Voices, Dinosaur Jr* but with a Darren Hayman-esque take on suburban lyricism, a very British ability to write songs about bicycles and a fresh spark that was all their own, William, our favourite ungoogleable band, have called it quits. It is with great sadness that we have to announce their farewell show at the Fox and Firkin on Saturday 31st July 2010. In support are two bands we adore who have been through it with them over the years, Popular Workshop and Sunset Cinema Club.

The thing that always causes pain in break-ups of both the musical or romantic kind is when it feels like not everything has been done. That perhaps there was more life left in it than the parties involved even realised. Certainly, new track Lustreless had already gone into our top 3 William songs of all time and it didn’t seem to us like time to call it quits. It only takes a run through a list of everyone’s top indie bands of the last twenty years (Flaming Lips, Modest Mouse, Sonic Youth) to see that great success sometimes takes a long time in a business so fickle, full of lucky breaks and chance encounters. This felt the case with countless bands who seemed to split when the music was still strong. As with other friends of our such as Their Hearts Were Full of Spring, Chet, Special Benny (who thankfully came back even better) …the feeling that other, more rubbish, ‘human’ factors played a part as opposed to a simple “the music had run it’s course” excuse always makes it harder to take.

Perhaps it was some kind of fate. Did they tempt it spending too much time listening to bands that never got the attention they deserved like The Embarrassment? William were a band that had bona-fide hits as well as the ones that would grab your heart when you paid more attention on the third/fourth listen. As a Drowned In Sound review once said, they “should fill indie dancefloors soon”. The countless times we put them on or saw them play the response was always great. Dancing, rocking out, singing along, mosh-pits in Coventry on £7 pills, shouting abuse at the bassist. Whether playing to ten or 300 people, there was always something special about their performances and they always gave it some fucking heart. Alas though, we’re just the promoters. We can only stop sobbing, hope they’d given it as much of a go as the music itself deserved and that future projects bear fruit half as sweet.

Maybe they were just ahead of their time. After all, Mark Thomas had that whole “has a vagina” rumour going well before Lady Gaga was even out of drama school.

3 skaters, 6 years, 1 album, 1 mini album, lots of Budweiser, lots more good times. Come celebrate the last…

*sorry for using the same old reference points boys
- Danny 2bob

Posted in Photos, Reviews | Tagged , , , , | Leave a comment

The twobob William farewell show featured on the Lewisham News Shopper!

One of the most frequent players on the Fox’s stage over the past few years has been a band by the name of William, an indie trio signed to Tough Love Records, recently receiving airplay from Radio 1 and rave reviews from John Kennedy and Drowned in Sound.

A Fox favourite, William have decided after six years that it’s time to call it quits. And although the regulars will be sad to see them go, they’re never ones to pass up an excuse for a shindig. So, this Saturday, William will be playing one final farewell show, with support from Popular Workshop and Sunset Cinema Club.

Last weekend’s farewell to William was featured on the Lewisham News Shopper’s website last week. Read the rest here.

Tagged , , , | 2 Comments