Tag: the morning after

The Morning After: Sunset Cinema Club / UpCDownC / King of Conspiracy

Posted by – March 16, 2010

SunsetCinemaClub_13Mar2010_001Last weekend was a big Saturday for gigs (so let us know where you were at). The Inner Terrestrials tore the New Cross Inn apart by all accounts, and many of our compatriots made their way to The Roundhouse to see Grizzly Bear supported by Beach House.

But we were in a well-attended Fox & Firkin watching our very own Dom take the stage with Sunset Cinema Club. SCC are a three-piece from Birmingham. Kinda punk-pop-indie. The NME called ‘em “very exciting jitterpunk.” We were inclined to agree. They were at times melodic and radio-friendly, at others filthy noise and distortion. Very clever, great drummer and definitely our cup of tea.

upCdownC_13Mar2010_005Upcdownc (upcdowncleftcrightcabc+start to give them their full title) are, as you can glean from their moniker, suitably post-rock. Having said that, their new album, Firewolf, eschews the post bit for some technical but fairly full-on rock. We were treated to a bunch of tracks from that collection of work with a sprinkling of classics.

Set closer Cascade was a welcome return to their older, more orchestral instrumental beauty, ending as it does, with a crescendo of percussion. They are very very loud, be warned, take earplugs and enjoy. We did, and it set us up nicely for the forthcoming Mono gig at La Scala.

KingOfConspiracy_13Mar2010_006The shockingly good King of Conspiracy rocked up next. Three well cool lads from Paris who stopped by on their way to (as Danny Parr described it, “the industry circle jerk that is….”) South By South West.

You have to marvel at the pace and frenzy of this band’s live show. Franck, drummer, and Ronin, bass, are, as they should be, the engine of this band and at this pace it’s a wonder they keep it together. They do and it gives frontman Michael a platform to go bare-chested batshit crazy, slinging himself around the stage, pausing occasionally to torture his riffs with some squealing pedal effects and punctuate them with some day-glo plastic percussion. Seemingly bored of screaming into his mic he unhooks it, collapses to the floor and uses it to create some weird noises along a well battered fretboard. You’ll go a long way to find a more exciting unsigned band, catch them when they return to London for Foxfest.

The Morning After: Space Heroes of the People/Auction for the Promise Club/Hangover Session

Posted by – March 10, 2010

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Space Heroes of the People

Cancellations meant Saturday did not go according to plan, but the show went on with our two cracking support acts from far-flung cities. First on stage were Space Heroes of the People, a two-piece from Oxford. They are: Tim, wielding a bewildering array of techie laptoppy geekiness, and Jo, providing basslines on a very sexy-looking electric double bass. They play a thumping yet sugary mix of 8-bit electro-pop and are, frankly,  awesome.

Cornwall’s fabulously-titled Auction for the Promise Club dashed straight from recording at Abbey Road Studios, and thrashed out some cracking indie-rock. They’re getting a lot of attention at the moment, so you should catch them while they’re still playing intimate venues like ours.

Auction for the Promise Club

Auction for the Promise Club

Emma, our newest DJ recruit, saw us through to the wee hours when we should have long been in bed. This meant we were all a little fragile when Sunday evening’s gentle Hangover Session kicked in. The sweet and lovely and melancholic ‘voice of an angel’ that is Clare Portman was, however, in a worse state than us. She still managed to belt out her usual high-standard set before grabbing her guitar case and being carried off to bed by her crew. Very James Brown-style exit, I thought.

Next; Dom, he of Sunset Cinema Club fame, had some fun with some loop pedals and various interesting pieces of percussion, including a half-full drum of gravy granules and a tub of vitamin pills. Novel. The full Sunset Cinema Club experience is kicking off our massive Saturday nighter with UpCDownC and King Of Conspiracy this weekend. NOT TO BE MISSED, you have been warned.

The Morning After: The Alternative Valentine’s Party

Posted by – February 14, 2010

Ouch. Our heads and ears are still a bit sore after last night’s Alternative Valentine’s celebrations. Three wondrously unique female-fronted bands, cocktails, dancing, DJing courtesy of the Catholic Girls, and not a rose, teddybear or lovesick couple in sight. Perfect.

Crafty cupids had been hard at work, transforming the Fox into a decadent Moulin Rouge boudoir, with cut-out cardboard lovehearts adorning the bar and items for sale from the lovely ladies of the Fox’s own weekly knitting and crochet club, Nit Nit.

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First up was Angela Luzi, an Italian singer-songwriter in a three-headed harlequin mask with a backing band including cello and piano. A grandiose, theatrical extravaganza that mixed flamenco, circus, jazz-blues cabaret and Italian folk. Add in a lot of gold glitter, operatic vocals and a rearrangement of the theme from The Godfather with Tori Amos, and the audience were smitten.

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Next on stage were Nila & The Rajas, Eastern-inspired indie-pop reminiscent of Howling Bells or Bat for Lashes by a talented, ethereal vocalist backed by chaps in sequinned shirts.

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And for the grand finale, Pussycat and The Dirty Johnsons; a sleazy, pyschobilly hellcat-fronted surf-rock riot. Imagine Juliette Lewis in a lo-fi Catwoman costume, except smaller and sweeter, with a ferocious snarl, and you’re halfway to picturing the awe-inducing tiger-printed powerhouse that is Pussycat Johnson. Wrestling with audience members, clambering all over the bar; this is one woman you don’t wanna mess with. Even without a bass player, they had the entire audience dancing and screaming for more by the end of their set.

Phew! If it gives us an excuse to have knees-ups like this, we might even start to look forward to these corporate romance wankfests.

The Morning After : The Clockwork Cabaret

Posted by – February 2, 2010

Last weekend, the Fox got decked out in paper cogs and swish stage drapes, and its clientele in Victoriana of all kinds, including brown corduroy top hats, waistcoats, cufflinks and corsets, ready for two bob’s first ever steampunk fiesta.

First to take to the stage were JD & The Longfellows, a local troupe of Celtic-inspired folk-rockers. Although it may have been their first gig of the year, their whisky-soaked, violin-driven shanties certainly didn’t seem rusty to me. With songs on subjects as diverse as zombie love and the mile high club, they’re anything but the twee folk-pop that might have some reaching for the sick bucket. Instead, they’re closer to The Pogues crossed with Johnny Cash, and the perfect opening act for an evening of olde-worlde entertainment.

Tom Allalone & The 78s

Tom Allalone & The 78s

Next up was Tom Allalone & The 78s, an impeccably-dressed troupe (according to The Times, at least) renowned for their raucous but refined rockabilly ditties. Looking a lot like dandy gangsters in their shirts and skinny ties, they belted out an energetic set of old-school 50s rock’n'roll. Think Weezer mixed with Vincent Vincent at top volume and you’re about half-way there. Enough to get the dancefloor full.

Jarmean? (Plus Smoochi busting some fab moves!)

Jarmean? (Plus Smoochi busting some fab moves in the middle!)

Last onstage were vaudeville cabaret kings and queens Jarmean? of whom two bob chief Carl has been a fan since he saw them support Special Benny last summer. Six months of trying to book them ensued, but the busy bees were always elusive. Until now. And after all that time eagerly awaiting them, they didn’t disappoint. Female fury on the drums, an oom-pah-pahing tuba, crooning and ukelele-strumming from cocky charismatic frontman Truman, and a dancing girl named Smoochi. Like Bez, except young, female and hot, with perfect pins and much more rhythm. Looking and sounding like they’d just time-travelled to Lewishambles from the jazz speakeasies of 1920s New York, their unique brand of upbeat, irreverent music-hall soon got everyone’s feet tapping. With a set that could have easily soundtracked The Cat’s Meow (one of my favourite films, so no complaints on that front!), including a Charleston-tastic adaptation of ‘King of the Swingers’ from Jungle Book, playfully retitled ‘King of the Gingers’ in recognition of the ‘fact’ that “Prince Harry is a bastard.” (According to Truman, at least. It’s none of my beeswax, but can’t claims of that nature get you beheaded for treason? If so, I’d like to reiterate that that’s his assertion, not mine. Swinging song, though. Queenie, if you’re reading this, please let him off. I want them to come back, and soon!)

The Morning After: Acoustic Sunday

Posted by – December 14, 2009

Echoes Underground, NickAcoustic Capocci, Shaun Grimsley & Dune Lake – 13th December 2009

A very well-attended boozer with two fellas onstage doing unpolished versions of other peoples songs doesn’t sound so grand, but the covers were pretty obscure (If I hear one more ‘Blackbird’ or ‘Hallelujah’ at an open mic night I’ll go into permanent spasm), and the guys were interspersing their set with tracks of their own so I’ll not judge with my judgy eyes just yet. Especially because on enquiry I discover that they are a work in progress and have only tonight decided to call themselves Echoes Underground.

Next up was Nick Capocci, who played his own material in a somewhat Grohl-esque way, even closing his set with Everlong. Popular with the locals and apparently working on an album with producer and drummer Dread Key (drummer with Mercury Prize-winning  act Speech Debelle).

Shaun Grimsley looked like being the hit of the night, though I suspect he is also a work in progress. While his song-crafting and guitar skills were top-notch his vocals seemed overwrought. Last up, Dune Lake are ideal Sunday Night listening; gorgeous soulful vocals over distorted, gentle rock riffs accompanied by veteran harmonica. Slipping between blues and rock and even throwing some Tom Waits in for good measure – lovely. Highly enjoyable show and free entry too.

This was a guest review by Charlie Willoughby.

If you’ve seen a TwoBob gig and want us to know what you thought, please email us with your review. The best will be published on the blog and may even win you a prize or two too.

The Morning After: The TwoBob Birthday Party

Posted by – December 13, 2009

Hindley, King of Conspiracy & Let Our Enemies Beware – 12th December 2009TwoBobBirthday

Saturday was the official TwoBob birthday party and featured the best line up (outside of Foxfest) that TwoBob has ever given us. Hindley broke us in with their excellent brand of new wave indie pop, displaying an energy and enthusiasm that many headliners would do well to take note of.

Next up was King of Conspiracy, assaulting the Fox & Firkin with an intense modern punk that didn’t want to let go of your gut once it had taken a firm grip. Let Our Enemies Beware were, as always, excellently loud and unremitting, but they just couldn’t match the precision and passion of the Paris-based punks.

If King of Conspiracy, whose drummer I have no hesitation in comparing to Keith Moon and whose tracks easily rival Hundred Reasons, aren’t on specialist radio stations within the year, I’m leaving the world.

This was a guest review by Dan Summer.

If you’ve seen a TwoBob gig and want us to know what you thought, please email us with your review. The best will be published on the blog, and might even win you a special prize or two too.

The Morning After: The Fox Halloween Party 2009

Posted by – November 1, 2009

Los JailbreakersIn the deep, dark heart of Lewisham, Halloween festivities are few and far between. But on this most macabre of eves, the Fox is warm and cosy, resplendent and almost unrecognisable in its Halloween decorations. Cobwebs aplenty adorn every surface, and swathes of velveteen material billow from the ceiling like the big top at the circus. It’s amazing what you can do with a few metres of fabric, a staple gun and a carrier bag of Poundland plastic novelty tombstones, skulls and spiders. Amongst these ghoulish embellishments, skeletons, vampires, bloodstained cheerleaders and busty PVC-frocked nurses booze and natter merrily whilst awaiting the evening’s entertainment.

Hindley

The first of the musical acts to zombie-shuffle onstage is Stuart James Durden Smith, to whom I must apologise. He’s been omitted from this review because a distressing wardrobe malfunction meant I had to scuttle home for a costume change during his set. By the time I stop blushing and slink back inside, it’s time for Los Jailbreakers’ rootin’, tootin’ rockabilly hoedown. Their set includes jaunty renditions of Buddy Holly classics, during which two burly chaps in matching slutty schoolgirl Britney Spears outfits take to the dance floor to gyrate and maul each other, much to everyone’s amusement.

Next up is Bauhaus-influenced sonic powerhouse, Hindley, the highlight of whose set is a stomping cover of Alice by the Sisters of Mercy. The almighty William is much- adored around these parts, and their last-minute cancellation due to piggy flu left the audience disappointed, but the DJs soon had my date and I dancing. We stumbled home in the early hours, and looked far more frightful when we awoke than we had with lashings of facepaint and fake blood the night before.